Adobe Premiere Pro CS4
Tell your story with maximum impact using Adobe Premiere Pro CS4
software, the start-to-finish solution for video production that
includes Adobe OnLocation CS4 and Encore CS4 software. Save time with a
tapeless workflow, project intelligence with new XMP metadata support,
dozens of editing enhancements, and tight integration with other Adobe
software. Reach a wide audience by delivering your content to virtually
any screen.
Capture, edit, and deliver video online, on air, on disc, or on device
Efficient tools for creative editing
Create
high-quality visual and editorial effects directly within the editing
timeline. Edit faster with powerful editing tools that give you precise
control and real-time feedback. Add color correction and other
effects, audio filters, and more.
Comprehensive video format compatibility
Work
with virtually any video format thanks to native editing support for
DV, HDV, Sony XDCAM, XDCAM EX, Panasonic P2, and AVCHD. Add
uncompressed SD and HD acquisition with hardware cards from third-party
vendors.
DVD, Blu-ray Disc, and interactive SWF output with included Adobe Encore CS4
Author once and deliver to three formats: Create DVDs, high-definition
Blu-ray discs with pop-up menus, and interactive web versions of your
content with Adobe Encore CS4 software, included with Adobe Premiere Pro
CS4.
Dynamic workflow with other Adobe tools
Achieve a
high level of productivity from production to delivery with the
tightly integrated toolset in Adobe Premiere Pro CS4. Eliminate
intermediate rendering when moving sequences into Encore CS4, and take
advantage of new support for Adobe Photoshop files with video and blend
modes.
Direct-to-disk recording and on-set monitoring with included Adobe OnLocation CS4
Record directly to disk and maximize camera image quality using
software-based waveform and vectorscope tools to quickly calibrate your
camera, check levels, and monitor your signal. Organize shots using
metadata logged during the shoot.
End-to-end metadata workflow
Easily add metadata
to clips both on set with Adobe OnLocation and while editing using
Adobe Premiere Pro, for greater project intelligence. Use speech
recognition technology to create text-based metadata that helps you
organize and find your assets more efficiently during editing. Finally,
pass the metadata through export for publishing to the web, enabling
searchable video and helping to unlock new revenue streams.
Speech Search
Turn spoken dialogue into
text-based, timecode-accurate, searchable metadata. Jump to a specific
area of a shot by searching for keywords within the dialogue, and then
use keywords to quickly locate and display what you're looking for--or
even cut video based on the script.
Delivery to the web and mobile devices
Deliver
video in a variety of formats for viewing on air and on DVD, online and
offline with Adobe Flash Player and Adobe Media Player software, and
on mobile devices with Adobe Flash Lite software.
Accelerated client review and approval with Adobe Clip Notes
Expedite review cycles and avoid miscommunication by using Adobe Clip
Notes. Embed video into a PDF file. Then e-mail the file to clients to
add timecode-specific comments that map to the Adobe Premiere Pro
timeline.
Resource Central
Access product-related news and tutorials online by using the Resource Central panel in Adobe Premiere Pro and Encore.
Top features of Adobe Premiere Pro CS4:
Adobe Premiere Pro CS4 features enhancements, such as support for the
latest tapeless cameras, advanced metadata management, batch encoding,
and tighter-than-ever integration, that save you time. In addition,
industry-leading Blu-ray Disc authoring and the ability to output to any
screen help you reach the widest audience. Listed here are the most
significant new features found in Adobe Premiere Pro CS4.
Next-generation tapeless camera support
Capturing
video directly to disk opens the door to exciting new workflows that
save time and maintain the highest quality throughout the entire
production process. Adobe Premiere Pro CS4 is designed to exploit the
full power inherent in tapeless workflows. Direct-to-disk recording
eliminates the time-consuming capture-from-tape, media-ingest phase of
post-production.
Adobe Premiere Pro offers comprehensive video-format support, from
DV to HD and beyond. Full support for a variety of tapeless cameras and
media lets you work with them natively to achieve the fastest workflow
from capture to edit, retaining the pristine quality of your source
material by eliminating time-consuming transcoding or rewrapping.
You can import and natively edit content from Panasonic P2 cameras
in DVCPRO, DVCPROHD, and AVC-Intra formats, and across multiple P2
cards. Similarly, you can import and edit content from Sony XDCAM EX
and XDCAM HD cameras directly, without rewrapping or transcoding. Access
the footage you want before you import it by viewing camera metadata
and organizing files in the Media Browser. You can also edit directly
from the P2 card via the camera or a card reader, the SxS card by way of
the camera or a card reader (XDCAM EX only), or use the Media Browser
to transfer content to hard disk for better performance.
Batch encoding
With the explosion of video on
the Internet, there's been a massive shift in how people consume video
entertainment. Whether you post dailies on a password-protected website
for review and approval, produce episodic shows for viewing online or
on iPods, or distribute films by way of an enterprise-level
video-on-demand service, being able to efficiently deliver your content
in a variety of formats is crucial. Adobe Media Encoder, a separate
software application included with Adobe Premiere Pro CS4, saves you
time by automating the process of creating multiple encoded versions of
your source files and Adobe Premiere Pro sequences. Set up multiple
items for encoding, manage priorities, and control advanced settings
for each item individually. Adobe Media Encoder also encodes
compositions from Adobe After Effects software when it's installed as a
component of Adobe Creative Suite 4 Production Premium. Use any
combination of sequences and clips as sources, and encode to a wide
variety of video formats, including FLV and F4V, Windows Media, MPEG-2,
H.264, QuickTime, and more.
Optimized encoding for mobile devices
Keeping
track of video-enabled cell phone and mobile device capabilities is no
small task. Device Central puts the latest mobile device profiles at
your fingertips through a dynamically updated online device library.
Device Central lets you test and preview what your work will look like
on an extensive selection of devices under a variety of simulated
real-life conditions. This lets you can make intelligent design
decisions without having to go through a time-consuming trial and error
process, and deliver engaging experiences to billions of mobile
subscribers.
Improved Adobe integration
Sharing media between
pre- and post-production software tools used to require you to render
your work in one application before importing it into another, which
was an inefficient and time-consuming process. If you needed to make
changes, you had to make them in the original application and re-render
the asset. Innovative Adobe Dynamic Link, previously available only in
Adobe Creative Suite Production Premium, streamlines this process.
Dynamic Link eliminates the need for intermediate rendering by creating
a direct link between new or existing assets in Adobe Premiere Pro CS4
and Encore CS4. Changes made in Adobe Premiere Pro such as color
corrections and so on are immediately reflected in Encore.
With new Adobe Premiere Pro integration in Adobe OnLocation, you can
send entire shotlists directly to Adobe Premiere Pro along with all
the metadata-based project intelligencethat was logged during the
shoot.
Other integration enhancements in Adobe Premiere Pro CS4 include:
- Flexible Photoshop layer options. Control exactly how Photoshop
files look when imported into Adobe Premiere Pro. Preview all layers,
choose which layers to import, and then choose how to import them--as
individual layers, merged, or as a sequence. - Support for Photoshop files with video. Avoid the extra rendering
step from Adobe Photoshop when importing PSD files that contain video.
Simply import the files and use them just like any other video clip in
the Timeline. - Support for Photoshop blending modes. Match your favorite looks
from Photoshop by applying Photoshop blending modes to clips on the
Adobe Premiere Pro Timeline. Blending modes are available for all
clips, and are fully keyframeable. When importing Photoshop PSD files,
blending modes are automatically carried over into Adobe Premiere Pro. - Dynamic Link to Encore. Save time by sending sequences directly
from Adobe Premiere Pro CS4 to Adobe Encore CS4, where they open
immediately without rendering. From within Encore, open Adobe Premiere
Pro sequences, and then use the Edit Original command to make a quick
change to the sequence. Any changes you make in Adobe Premiere Pro are
automatically reflected in Encore. Encore also reads chapter markers
from the sequence, making it easy to set DVD chapter markers in the
Adobe Premiere Pro Timeline. - Copy and paste text between Adobe applications. Achieve the same
look for text in multiple deliverable formats. Exchange text by copying
and pasting it between other Adobe Creative Suite 4 software and the
Adobe Premiere Pro titler. The text retains all supported formatting,
including font, spacing, and styles.
For the utmost Adobe Creative Suite integration - including expanded
Dynamic Link functionality - turn to Adobe Creative Suite 4 Production
Premium, which combines After Effects CS4, Adobe Photoshop CS4
Extended, Adobe Illustrator CS4, and Adobe Flash CS4 Professional
software.
Enhanced editing efficiency
Work faster with
powerful and flexible editing enhancements. Adobe Premiere Pro CS4
includes over 50 of the most requested editing enhancements that
streamline your workflow. Display search results quickly. Apply effects
to multiple selections, get timecode information faster, speed up work
in the Timeline with new keyboard shortcuts, and much more.
Powerful management of projects, sequences, and clips
Find
content quickly and efficiently by typing what you're looking for into
the Search box in the Effects, Project, or Metadata panel, and see
results update instantly as you type. Manage projects more efficiently
by saving file-location preferences on a per-project basis, making it
easier to set up partitions for particular projects. Update assets in
your project quickly as newer versions become available by replacing
files in the Project panel; when replacing assets, all clip instances of
that media update automatically. Combine content from multiple
projects easily with the ability to import sequences from other
projects. Choose any combination of sequences to import; Adobe Premiere
Pro includes all nested sequences, helping to ensure that all content
is imported successfully.
Pick up projects where you left them, without having to adjust the
user interface--the workspace configuration is saved with each project,
making it easy to work efficiently. You can now select any combination
of sequences for trimming, to avoid trimming redundant content in the
Project Manager. Only the portions of the offline clips used in a
sequence are included in the trimmed project, so when you subsequently
recapture the offline clips, only the portions used are recaptured. Mix
content even more freely in your project with different editing and
rendering settings for each sequence in your project; manage your
assets easily by collecting all sequences into a single project; and
output multiple versions from HD masters quickly using nested sequences
with different settings.
Create workspace configurations using Project-panel column
configurations optimized for the task at hand. For example, set up
different columns for logging and for editing.
Adobe Premiere Pro CS4 lets you delete individual preview files,
making it easy to reclaim disk space. Keep the preview files you need,
and discard the ones you don't.
Superior editing control
Use Track Sync Lock
controls to select which tracks remain in sync after ripple and insert
edits. Display source content of clips, route channels to specific
destination tracks in the Timeline, and toggle video or audio channels
on or off as needed with source-content controls. Place clips exactly
where you want them when dragging to the Timeline. Innovative ways to
target audio and video tracks provide multiple methods to control clip
placement, saving you time and preserving the placement of other clips
in the Timeline. Drag and drop video- or audio-only portions of clips
onto any combination of compatible destination tracks.
Timesaving editing enhancements
When you paste
multiple clips into the Timeline, the playhead jumps to the end of the
pasted clip so that subsequent clips are placed directly after, saving
you time. Create new subclips quickly and easily by simply dragging
content directly from the Timeline to the Project panel. Place
keyframes precisely within the Effect Controls panel. As you move them,
keyframes snap to sequence markers, the playhead, clip edges, or other
video or audio keyframes. This makes it simple to align new keyframes
with existing ones. Use vertical snapping to keep clips in sync when
moving them between tracks. Easily apply the same transition to multiple
items in your project by copying and pasting the transition. Adobe
Premiere Pro CS4 applies all transition information, while maintaining
destination attributes such as transition duration.
Use smart zoom features in the Timeline to switch quickly between
detailed and global views of your content. Simply press a key to zoom
the Timeline to show the entire contents of your sequence, and then
press another to return to the previous zoom level.
Quickly clear all effects from one or multiple selected clips using a single command.
More options with multiple selections
Create
commonly used combinations of effects and save them in a single preset
for easy reuse. The ability to apply effects to multiple clips in a
single action helps you work more efficiently. Make speed/duration
adjustments to multiple clips simultaneously, saving significant time
when working with large numbers of clips. You can work more productively
when using transitions by applying the default transition to multiple
selected clips with a single command. Apply audio-gain settings to
multiple selected clips in a single action, without having to repeat for
each item.
Precise audio control
Finding specific sonic
events in your audio tracks--for example, the start of a sentence, a
car door slamming, or the downbeat in your soundtrack--is often a
simple matter of looking for peaks and valleys in their waveforms. New
features in Adobe Premiere Pro CS4 let you view audio waveforms in more
detail in the Source Monitor. Zoom both channels independently or
together. Navigate with precision within the Source Monitor when working
with audio-only clips. Use the playhead to scrub the waveform
directly. Change batch capture behavior easily by setting and adjusting
audio-channel mapping for offline clips at any time, when or after
they are created. You can also recapture offline clips as audio-only or
video-only by changing recapture settings for offline clips, without
having to recapture them first.
Robust timecode display
Precise editing and
communication with clients are facilitated by timecode. Whether you're
working with news footage gathered in the field, telecined film
footage, or clips shot on a camcorder that supports timecode only by
way of an accessory pack, Adobe Premiere Pro CS4 offers you a variety
of ways to display timecode. The source-media timecode display format
acts as the default in both the Project panel and Source Monitor. If
there is no timecode or frame rate associated with the media--say if
it's a still graphic or was shot on a camera that doesn't record
timecode--Adobe Premiere Pro will use the format specified in the
Project Settings dialog box. You can display SMPTE-style timecode or
frame-count timecode that you can set to start at frame 0 or 1.
Place items in the Timeline with timecode accuracy by dragging and
dropping them. See up-to-date timecode information in the Info panel as
you drag clips. Choose the appropriate timecode display mode
separately for each sequence in your project. Use any supported
timecode format as the timecode display mode in the Timeline, Info
panel, and Timecode controls. View source-media information for clips
in the Timeline using the Info panel.
Enhanced keyboard-driven workflow
Point-and-click,
mouse-based operation is a simple and easy way to learn new software.
But experienced users want to navigate and control their tools as
quickly and efficiently as possible. Adobe Premiere Pro CS4 offers
complete, mouseless operation via customizable keyboard shortcuts, to
help you focus on being creative. Use keyboard shortcuts to browse
through clips loaded in the Source Monitor tab and to save time when
moving to the start and end of clips in the Effect Controls panel. Jump
to the start and end of clips in the Timeline using dedicated shortcuts
that make clip navigation easy. You can assign shortcuts to mark clips
more quickly and to cycle forward and backward through all the panels
in the Adobe Premiere Pro CS4 user interface.
Direct-to-disk recording with cross-platform, redesigned Adobe OnLocation CS4
Adobe
OnLocation CS4 gives you an impressive array of production tools to
help you shoot better and faster while saving time and money. You can
produce superior-quality results from your video camera. Quickly
calibrate the camera, monitor your footage, and check video levels by
using your workstation or laptop as a virtual (and lightweight) video
reference monitor. See what you can't see on a camera's small LCD
viewfinder or flip-out screen, and use the comprehensive software
waveform monitor and vectorscope as well as the audio spectrum analyzer
to identify and correct image and audio problems before committing to
videotape and hard disk.
Shooting and capturing video directly to disk lets you record a
two-hour event as a single clip, or shoot as many takes of a scene as
your actors need to get it right--no changing tapes, no solid-state
memory time limits, no missed action. It's a director's dream come
true, but in the edit suite, finding that one perfect take among dozens
can be problematic. Metadatabased project intelligence and the new
Shot List panel let you take control of this situation.
Each time you re-record a scene to disk, a new take is automatically
created that inherits the project intelligence from the master shot.
You can search by keywords in the intelligence, or create a
metadata-based text transcription of dialogue and use the text display
in the Metadata panel to click on words and jump to the spot in the clip
you're interested in. Additionally, you can flag your selects as you
capture them, making it a snap to find them in post-production.
Adobe OnLocation CS4 is available on Windows and Intel-based Mac
systems. (Previously, Adobe OnLocation was only for Windows, and thus
required Boot Camp to run on a Mac.) Cross-platform operation allows
both Mac and Windows users to take full advantage of the power of Adobe
OnLocation on laptops or workstations. The completely redesigned
interface puts control of all functions on a single screen and features
the familiar look and feel of other Adobe creative applications. Shot
lists and metadata-based project intelligence save time and take the
tedium out of logging on-set and in post-production.
Project intelligence with new XMP metadata support
Metadata
is the unsung hero of an efficient workflow, and the key to the
perennial challenge of making video searchable. You have great footage,
but do you know where it was shot, who the talent is, and if you have
the rights to use it? And more important, can you--and your
viewers--find the video content that's most relevant? Adobe Premiere Pro
CS4, Adobe OnLocation CS4, and Encore CS4 deliver innovative,
industry-leading solutions that solve both problems.
Careful planning keeps your productions on schedule and on budget.
During preproduction, block your scenes, plan camera moves, and create a
shot list to plot your shooting sequence and fill in metadata
associated with each shot. Bring your careful planning on-set by
creating a shot list in Adobe OnLocation. While you're recording
footage directly to disk, Adobe OnLocation automatically captures
important metadata-based project intelligence associated with each shot
coming from the camera. Create new takes each time you re-record, with
each take inheriting metadata from the master shot. You can even edit
or add to the metadata while you're at the shoot.
During post-production, you can use metadata to streamline project
tracking, asset auditing, and many other formerly tedious manual tasks
in Adobe Premiere Pro CS4 and Encore CS4, as well as in Adobe
Soundbooth CS4, After Effects CS4, and Adobe Flash CS4 Professional
software. Best of all, as other workgroup members modify files and
assets, metadata-based project intelligence associated with each media
asset can be edited and updated in real time during the normal course
of production.
Save even more time by eliminating the need to hunt from folder to
folder to track down assets. Metadata makes your assets searchable
within the Adobe Premiere Pro CS4 Timeline, so you can locate assets
and clips by filename, date, time, camera setting such as resolution or
frame rate, shot location, or any other search term you've added to
your asset or clip.
Speech Search makes dialogue in your video assets searchable
Whether
you start your production with a script or assemble your narrative in
the editing suite, you can use powerful new Speech Search technology in
Adobe Premiere Pro CS4 to turn spoken dialogue into text-based
metadata that makes your video searchable. This new capability solves
one of the biggest challenges in taking video online by automatically
turning any spoken word into a keyword that points precisely to the
places in a clip where the word is spoken. This unleashes considerable
power, for both post-production professionals and all of us who watch
video online. During the editing process, creative professionals can
use Speech Search to quickly find the relevant points in a particular
clip, or easily locate the right clip based on what gets said in it.
Equally important, the time-accurate text that corresponds to spoken
words is embedded in the output you render from Adobe Premiere Pro CS4,
so your video is searchable by other tools that can read XMP metadata,
such as search and indexing engines.
In Adobe Premiere Pro, Speech Search can significantly speed the
time-consuming process of wading through large quantities of footage to
find the relevant clips. For example, you can quickly find all of the
clips in a project that contain a particular word, or the opening lines
of a scene from the script you're shooting, by searching from the
Project panel. Once you've narrowed your search, you can search within a
particular clip for a word or phrase by using the Source Monitor, or
you can skim the preliminary transcript that appears in the Metadata
panel. Both approaches are significantly faster than manually scrubbing
through a clip to find, for example, the spot in a long interview
where the subject talks about a transformative trip to Zambia.
Additionally, you can tab from word to word in the Metadata panel to
make edits while ensuring that text remains synchronized to the spoken
word.
Industry-leading Blu-ray Disc output
Adobe
Encore CS4 software is a versatile, interactive authoring tool for
video distribution that allows you to deliver your high-definition work
complete with advanced functions such as pop-up menus, subtitles, and
more to clients or consumers on standard-definition DVDs and
high-definition Blu-ray Discs. Save time during the authoring workflow
by sending sequences directly from Adobe Premiere Pro CS4 to Adobe
Encore CS4, where they open immediately without intermediate rendering,
using Adobe Dynamic Link. From within Encore, open Adobe Premiere Pro
sequences and then use the Edit Original command to make a change to the
sequence. Any changes you make in Adobe Premiere Pro are automatically
reflected in Encore. Plus, Encore reads chapter markers in the
sequence.
Further streamline your authoring workflow by using the enhanced
flowchart to define and view your project's points and links. New
independent variable-zoom functionality and the ability to see the
asset's name help streamline your disc- and SWF-file authoring workflow.
See exactly what your project is going to look like with the new
FireWire Video-out feature, and have ultimate control over your motion
menu loop points.
Web versions of your DVD and Blu-ray Disc projects made easy with Adobe Encore CS4
Create
compelling stories and use Adobe Encore CS4 software to deliver them
on standard-definition DVD or high-definition Blu-ray Disc, and with a
single click create SWF-file versions of those DVD and Blu-ray Disc
projects for the web, without opening another application. Added
flexibility and HTML templates in Encore CS4 let you create content
compatible with Adobe Flash Player, complete with DVD interactivity,
menus, and URL links. Export different video sizes for SWF-file
streaming or progressive download, customize player skins, and reduce
encoding time by using optimized encode settings in Adobe Media Encoder.
Leverage Adobe Flash Media Server to build new revenue sources based
on a secure-streaming, protected-download, or subscription-based
delivery model--or all three--using metadata to track rights and
permissions.
System requirements:
- 2GHz or faster processor for DV; 3.4GHz for HDV; dual 2.8GHz for HD*
- Microsoft® Windows® XP with Service Pack 2 (Service Pack 3
recommended) or Windows Vista® Home Premium, Business, Ultimate, or
Enterprise with Service Pack 1 (certified for 32-bit Windows XP and
32-bit and 64-bit Windows Vista) - 2GB of RAM
- 10GB of available hard-disk space for installation; additional free
space required during installation (cannot install on flash-based
storage devices) - 1,280x900 display with OpenGL 2.0®compatible graphics card
- Dedicated 7200 RPM hard drive for DV and HDV editing; striped disk
array storage (RAID 0) for HD; SCSI disk subsystem preferred - For SD/HD workflows, an Adobe-certified card for capture and export to tape
- OHCI-compatible IEEE 1394 port for DV and HDV capture, export to tape, and transmit to DV device
- DVD-ROM drive (DVD+-R burner required for DVD creation)
- Blu-ray burner required for Blu-ray disc creation
- Microsoft Windows Driver Model® or ASIO-compatible sound card
- QuickTime 7.4.5 software required to use QuickTime features
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